A story is best told by someone who was there. Whereas many documentaries as made by directors and producers passionate about the cause they are filming for, there is a difference between an outsider shooting their subjects, and the subjects shooting themselves.

The organization FilmAid had initially begun to screen videos and films at refugee camps. These films were mostly educational, providing those living in refugee camps with important safety and health information. They also showed films for purely entertainment purposes in order to help lighten the mood and spirit at the camps. In 2011, however, the organization’s branch in Dadaab, the world’s biggest refugee camp in Somalia, began a special project entitled “Dadaab Stories” where it began to train the refugees to work the cameras themselves and have the chance to tell their stories from their perspective.

Dadaab was built in the 1990s to house 90,000 refugees. Today, it is the home to over 500,000 refugees. Describing life in a refugee camp is difficult; insiders know more and have been around longer than an outside film crew.

Ryan Jones, an American videographer who joined FilmAid’s project in 2011, said that the part of the appeal of the program that it strays from the usual model of “an American film crew coming into a camp and spending a short period of time there and shooting some kind of 90-minute doc we hope to get into Sundance.”

Refugees have made various videos such as an emergency response video regarding a cholera outbreak, a safety video for rape awareness, the camp’s orientation film, a music video for the local group Dadaab All Stars, and documentation of actress Scarlett Johansson’s visit.

In October of 2011, however, a kidnapping incident involving Doctors Without Borders created intense restrictions and security issues which prevented the FilmAid team from coming back to Somalia. Since then, the refugees have been trying to manage posting videos and have begun to make their camp-wide newspaper The Refugee available online.

This project has not only taught the refugees a new and unique skill they would otherwise not have the chance to learn, but it gives them a creative outlet to truly show the world what life in a refugee camp is like. They may not be making feature length films or Sundance-worthy documentaries, but their progress and work are so valuable that it could never be put into a simple award category.

– Deena Dulgerian

Source: Co.EXIST